Talking with air simulates a bizarre moment, an attempt at conversation. Elongated, shapeless clay objects resembling flutes are scattered throughout the room, nestled against piles of flour. A tube extends from each object across the room, ending in a mouthpiece, also made of clay. Seven performers stand in the room, remove their mouthpieces from their holders, lick them and begin to breathe gently into the flutes. Their breath slowly hollows out the pile of flour, deforming it and creating clouds of dust. The choreography of breathing is based on a simplification of classical drama, rising action, climax (conflict), falling action, over a period of approximately three and a half minutes. The mood fluctuates between banal moments of randomness, concentrated seriousness and small mini-dramas or romances. The performers are like corals, their bodies breathing along and performing macro-gestures, rocking back and forth on their toes...